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Writer's pictureRachel Basela

Autumn Glass


Walter Crane
The Lady of Shallot

An artist notices as I drift solemnly,

parting the autumn leaves

that sit like schoolchildren

upon the mirror of the sky.


As his brush paints my cheek a pale hue

I wonder if his strokes

will properly capture

my vulnerability

as I find myself stray

from the world that has dejected me.


He details the decaying forest

that falls like a tapestry

behind the image

of my heartbreak.


Will this lonesome painter

capture the forgotten pieces

that a cruel man

once stole from me?


For the man with the canvas

cannot possibly convey

with his useless pigments

what I feel writhing in my chest.


I watch the way his fingers

wrap around a worn paintbrush

delicately, and dot crimson

on the water that carries me,

setting modest fires

to Adam’s ale,

adding sin to the purity

upon which I rest

to possibly create an image that could be

worth pondering.


He cannot see

how, when I gaze into the treetops above me,

squinting hard,

turning leaves into marble

the foliage becomes hazel eyes

falling in and out of love with me

with shocking ease.


Believers tell me

there are unimaginable

colors that exist in Heaven,

but I know that the only hues

that I will encounter

in the land of God

are the shades of past

lovers’ eyes,

for I have gone blind

to any other beauty.


Hazel green

is all I can see.

All I can imagine.

All I can grasp.


I remember when my tears pooled around me,

and I remember how he remained on solid ground,

unwavering.

The lashes that held

his autumn eyes

remained dry.


Yet, here I am, floating

into the brook,

in an attempt to feel closer to the moment

where my eyes were as wet as the water below me,

wallowing in broken memories

as a painter skillfully

captures the scene

of a lovely girl on a canoe

splitting the water

and the fallen decay.

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